Pontas Duplas / Split Ends
Opening of “Pontas Duplas / Split Ends” curated by Aida Castro at Galeria Presença, Porto
15.04.2021- 05.06.2021
Opening of “Pontas Duplas / Split Ends” curated by Aida Castro at Galeria Presença, Porto
15.04.2021- 05.06.2021
The project “Situation 21” is the result of a collaboration between six galleries in the city of Porto, and will have its first presentation with the collective exhibition “Histórias com amanhã – uma cartografia solidária da relevância das galerias do Porto”, curated by Miguel von Hafe Pérez.
In this exhibition, double ends found in Galeria Presença’s history and in the work of the artists it represents were reactivated, which again install themselves through the occupation of the objects summoned to the space – curated by Aida Castro
Umbigo Magazine article by Ana Martins on the exhibition “Que horas são que horas- Uma galeria de histórias” at Porto Municipal Gallery
Que horas são que horas: uma galeria de histórias at Porto Municipal Gallery Read More »
The exhibition Que horas são que horas: uma galeria de histórias is the result of an invitation made by the Galeria Municipal do Porto to three curators to reflect upon the historical landscape of Porto’s art galleries – inscribed between the apparent post-WWII cultural opening and the retraction of the cultural sector after the recent economic crisis. Looking at this time period enables us to understand the many different sides of the civitas, and the transformative complicities that exist between the city’s artists, cultural agents and audiences that shape it.
Que Horas são que Horas: Uma galeria de histórias Read More »
A Bula do Medo (2020), Mafalda Santos solo show at Galeria Presença- featured in N’Agenda broadcast on Porto Canal, on December 17th 2020
Work in Progress at the studio for “Que horas são que horas- Uma galeria de histórias”
A Bula do Medo, Mafalda Santos` solo show at Galeria Presença, Porto
A book that explores the affinities between gastronomy and art, having as protagonists the best Portuguese chefs and plastic artists, focusing the dialogue on the oldest and dearest industry in Portugal, the canning industry
Opening of the exhibition A mão que segura e a que se eleva no ar (The hand that holds and the one that rises in the air) in independent space Rampa, with the artists Isabel Baraona, Mafalda Santos and Susana Gaudêncio, curated by Pessoa Colectiva (Mafalda Santos and Susana Gaudêncio). “The hand that holds and